Take My Hand

Ellie stood with her mother at the end of the sidewalk. The pink ice cream shop sat just across the busy intersection, its white chairs lined up outside like they were waiting for someone.

It wasn’t far down—six inches, maybe seven—but she could feel the difference in her stomach, the way the concrete simply stopped and the black road began. It was the line between what she could see and what she had to believe.

The cars seemed enormous as they passed. They came from both directions at once, which seemed like cheating. Their hot wind smelled like gasoline and made her eyes sting. A bus passed so close she could feel it tug at her dress. She stepped back, one step, two, until her shoulders pressed against her mother’s legs.

“Take my hand, Ellie.”

Motionless, Ellie watched the black road.

The traffic light was so high she had to tip her whole head back to see it. To her, it was just a dark box with circles that changed color for reasons she couldn’t figure out. When the light turned red, the cars stopped. Not because they wanted to, she thought, but because something made them. Something bigger than the cars themselves—something that held even the noise and motion in its order.

Her mother knew. She’d crossed this street before. She knew where the uneven parts were. She knew which direction to look in first. She knew how long they had once the signal changed. She knew it was the right time to cross the black road.

Ellie looked at the signal across the street. An open palm facing her. Stop. Don’t. Stay where you are.

“I don’t want to,” Ellie said.

“I know.” Her mother’s hand was still there, still waiting. “But the ice cream shop is on the other side.”

A flash of pink between the cars. She believed it was there. But believing it was there and getting to it were two different things. She knew the black road was wide enough for everything that could hurt her.

“What if they don’t stop?” she asked.

“They’ll stop.”

“But what if one doesn’t?”

Her mother knelt. Ellie heard the slight crack her knees made, the sound of something given up for the sake of getting lower. Her face was level with Ellie’s face, and her eyes were serious now. For a moment, she saw not the road but her daughter—the small tremor in her mouth, the shine gathering in her eyes, the soft curl at her temple damp from the heat. Fear did not make Ellie smaller; it made her unbearably precious. The instinct to gather her up and never let the world near her again rose so suddenly it almost stole her breath.

Her mother had been a child on a curb once. Not this curb. A different one, in a different city, where the street was wider and there was no signal to tell her when it was safe. There had been no ice cream shop on the other side. No white chairs. No suggestion of something sweet. There had been nothing on the other side except the fact that she could not stay where she was. She would not have survived without crossing that road—without trusting what she could not control.

She never told Ellie this. She never would.

But it was there in the way she reached out her hand now. Palm up. Fingers open. Not grabbing. Not pulling. Waiting. The way no one had waited for her.

“I won’t let anything happen to you. But you have to take my hand.”

This was not a promise Ellie could verify. It was not a fact like the color of the traffic light or the existence of the ice cream shop. It was something else, something in her mother’s voice, in her hand. Open, steady, certain.

Her mother’s hand was the most familiar thing in the world, and yet taking it now felt like something new. Something that required a decision she hadn’t been asked to make before. Because this wasn’t the porch steps or the pool. This was the black road, where the enormous things moved, and her mother was asking her to step off the curb and into it.

Ellie reached up. Not because she wasn’t afraid, but because she wanted to believe.

Her mother’s fingers closed around hers—not tight, but complete. Every finger accounted for. Every gap filled. The grip said I have you without saying anything at all.

They stepped off the curb together.

The black road was wider than it looked. From the sidewalk it had seemed crossable, finite, a distance she could measure in steps. But now that she was in it, the white lines stretched in both directions and the far sidewalk seemed to recede. She was aware of the cars on either side, still and waiting, their windshields reflecting the sky back at her like dark mirrors. She tightened her grip.

Her mother adjusted her stride—shorter steps, matching Ellie’s pace without needing to be asked. Her eyes moved once to the left, once to the right, a quick accounting Ellie wasn’t meant to see. Ellie’s shoes made small sounds against the asphalt. Her mother’s made their particular sound, the one she knew.

With her head down, Ellie focused on her steps. Maybe the enormous things wouldn’t notice her if she was quiet enough. With each step, she could feel her chest tighten, her breath quicken, but she resisted the urge to run back to the safety of the curb.

The asphalt was warm through her shoes, the stored heat of the whole afternoon pressing up through the soles. Above, there was nothing. No awning, no ceiling, no porch roof. Just sky. The space between two sidewalks where nothing belonged to anyone.

Halfway there, Ellie looked up. Her mother was looking ahead, toward the far curb, toward the pink shop, toward whatever came next. But her hand held tightly to Ellie’s hand.

The signal blinked its warning. Around them, the cars shifted in their patience.

Ellie held on, and they walked.


Written in response to a prompt from reedsy.com
Prompt: “Write a story about love without using the word ‘love.'”

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11 thoughts on “Take My Hand”

  1. Jim – This is another great story. Reminds me of walking around Chicago with my parents. It was usually my dad that asked me to take his hand to walk across the street. I had all the faith that he knew it was safer to hold his hand. Sorry for taking so long to get back tto you.

  2. I am seeing a little girl who is not only afraid of crossing the street, but I feel like she knows there is something even bigger going on for the two of them.

    There is an ice cream shop on the other side and that should be enough for a small “happy” child to trust her mom enough to get her to the other side. I thought at one point, was Ellie blind, but later I realized she did see the ice cream shop.

    I don’t know. To me there seems to be more. Especially when the mother reminisces about her own experience. Was she trying to put herself in her daughter’s place?

    She says, “She had been a child on a curb once. Not this curb. A different one, in a different city, where the street was wider and there was no signal to tell her when it was safe.”

    She goes onto say, “She would have not survived without crossing that road… without trusting what she could not control.”

    So mom has run away before and could not have survived if she hadn’t. But now it seems she is again.
    At least that is where all these clues are pointing to for me.

    So now I need to ask, is this a continuation of the past stories? And if so, could this child know something is up, that she is leaving her daddy??

    Regardless, there is more to this than a busy highway. Because I believe what I read was deeper than the highway. So many emotions took place in this short piece, for mom and Ellie.

    Thank you for this remarkable well written short story.
    I do realize I may be way off base, and yet I feel it so strongly.

  3. We often focus on the concept of God as Father, but equally important is the significance of God as Mother. The One who takes our hand knows just what we need in that moment, and sees us fully as a child created in the God’s image.

  4. The love between Mother and Daughter were certainly captured here, Jim. The Daughter totally dependent on the Mother to make the right choice for them at the moment will live through the child’s eyes forever. Also, the fact that the Mother’s love was far greater than was the size of the cars and the bus and the wide black asphalt of the road will live with Elllie when she, as an adult, will be holding on to her Daughter’s hand. Great work, Jim.

  5. This as a metaphor for life and the choice to move forward: “There had been nothing on the other side except the fact that she could not stay where she was. She would not have survived without crossing that road—without trusting what she could not control.”

    And, in the end, we don’t know for certain that they made it to the other side, but as Ellie looks up at her mother, she sees a woman determined to make it, and her hand wrapped completely around her daughter’s, tells us she is there for her. Always.

    Simply superb!

  6. You drew me in immediately, Jamison.

    It’s remarkable how rarely we pause to see the world through someone else’s eyes—especially a child’s. The unspoken history that shadows Ellie’s mother feels so authentic here. I don’t need the details to appreciate the quiet triumph of her crossing to the other side of that pain and becoming stronger for it!

    Because of that, she knows how to help Ellie navigate through fear and uncertainty as cars drive by and crossing a road seems insurmountable.

    We need (all of us in this crazy world) to remember the power of empathy, understanding, and compassion — only then can we extend a hand in grace!

    Excellent short story!

  7. Jim, Every story gets better and better. I remember all those type fears as a child and having a loving Mother. You captured all of that in this one.

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